Môre, Pa

A Rhyme for Father’s Day

Môre, Pa (Morning, Dad) is a Father’s Day rhyme in Afrikaans for my dad, for every other dad and especially dads who had already stepped across to a a Heavenly Dad. 

Hierdie is ‘n Vadersdag rympie vir my pa, vir elke ander pa en veral vir pa’s wat al oorgestap het na ‘n Hemelse Pa

Video of a Father’s Day rhyme for my dad, Hendrik Albertus Daniel Kirsten.
Full text in Afrikaans

Môre, Pa

Oudste het Pa se ligte gelaat en welige donker hare, 

Jongste het Pa se fyn postuur – ’n mens  nes Pa met fyne snare.

Ons almal speel met woorde, soos Pa het in my jonge jare.

Ek sien Pa in Oudste as hy uit die bloute woedend raak, vir net ’n bietjie stout.

In Jongste as hy sê: “Ek proe iets anders in vandag se hawermout,”

In myself as ek wonder: “Waar’s die trek? Dis dan skielik so koud.

Soos Pa, sien Oudste reguitpraat as die beste kommunikasie.

En nes Pa, ken Jongste reg en verkeerd in byna elke situasie.

Ons almal ag alle mense waardig, ongeag hul nasie.

Pa kon nie hare vleg nie, maar wel dorings uithaal, so sekuur!

Al was Pa nie altyd reg nie, het Pa my reggestuur.

En Pa is nie rêrig weg nie, want ek sien Pa orals hier.

Môre, Pa

Ons sien Pa in ons maak en bou en speel, ons oplos, regbuig en herstel.

Vir Pa was kreatief wees baie goed; nou’s dit in ons bloed, skyn deur ons vel.

Speel was vir Pa die lewe, en die lewe ’n immer skeppend’ spel.

Tot weersiens, Pa

En hoor jy die magtige dreuning? ‘n Triptiek in vyf dele.

Rympies vir Jeugdag, 16 Junie, deur Petro Janse van Vuuren en Monica Bosman

This is all five sections of a trilogy in five parts for Youth Day on 16 June. With an original sound track created just for this moment. The rhyme is a play on a patriotic youth song from the old South Africa days called “Die lied van jong Suid-Afrika” (The song of young South Africa)

A little about how it came about…

I was visiting my mom in Stellenbosch (see this rhyme about that moment). We were playing with words as I often do with people who also like to do so (most of my family). We were playing with ideas that talk of hope and promises of better times – melk en heuning (milk and honey); kelke vol seëning (goblets full of blessing); geld sonder lening (money without a loan) etc. And from the side Mom says “En hoor jy die magtige dreuning” (And do you hear the mighty rumble?). It was a little out of the blue, but still, recalls a song that spoke of such hope and promise to the Afrikaner of the old South Africa. I knew immediately this was a seed for something important.

Part one came quickly in direct response to that playing with words. But it felt glib. IT needed the darker more critical side of where we are now in South Africa. Thus was born part 2. My sister then got wind of it (since she is my language editor, Monica Bosman). She offered Part 3 as a further development of the flip side of the rumble – die striemende stilte (the searing silence).

From there we went back to the milk and honey, but no longer as a sure promise, rather as something to be sought again. Listening to this Mom said she now misses the hope. That is how part 5 came about as a rhyme of critical hope.

It was truly a family affair.

Rhymes by sisters: Petro Janse van Vuuren en Monica Bosman…

Drawings by my son: Benjamin

Tunes by my cousin: Lara Kirsten

Video editing by my other son – who does not yet want to be named.

Image of the first part of the rhyme with its picture of honey dripping from a honey spoon.

Rhyme text in Afrikaans

En hoor jy die Magtige Dreuning?

I – Petro

Deel 1 

Vat my hand

Dan lei ek jou na die land

            van melk en heuning

            kelke vol sening

            geld sonder lening

            vir elk se ondersteuning

Hoor jy die magtige dreuning

die kragtige kreuning

die smagting na mening?

Oor die veld kom dit wyd gesweef

Die lied van ’n nuwe ontwaking

Wat harte laat breek en herleef

Deel 2 

Van Kaapstad tot bo in die Noorde

Kruip sluipend en stil prewelwoorde 

Styg spytige, gebroke akkoorde

Dis die verdriet van ’n stom Suid-Afrika

Dit is die krediet van honger Suid-Afrika

Dis die gebed van krom Suid-Afrika

Die geweld van grommende Suid-Afrika

Die ontsteltenis van jong Suid-Afrika

Dit is die lied van ons Suid-A-fri-ka

Hoor jy die magtige dreuning?

II – Monica

Deel 3 

En hoor jy die striemende stilte

Van só baie goed ongesê

Van slagtings en menings 

klagtes en steunings 

die sagte smekings

waarop die sluier van swye swaar lê?

Verhale diep in harte en kaste begrawe

Wat nêrens op sosiale media rondlê nie

Wat komediante nie van verhoë af wil sê nie

Tonge gebyt vir die vrede

Stories van lank terug tot hede

Wat buite die narratief lê

Hoor jy die striemende stilte?

III – Ons albei

Deel 4 

Vat my hand

Lei my na na die land

            van melk en heuning

            kelke vol sening

            geld sonder lening

            vir elk se ondersteuning

Boesmanland? 

My Liewe land!

Vat my hand!

Lei ons déúr die bedroefte land

Behoefteland

Omgeploegde land

Onbeskofte land

Ons beloofde land

Deel 5

Ja, jy wat so sinies en afgemat kreun

Sien jy die tekens van hoop om jou heen?

Van Clifton tot bo in Musina

Hou tog op soek na jou Dina

As Wilhelmina

Katerina

Gesina

            Marina

                     Én Karolina

Hier is om nou op te leun

Luister aandagtig vir ’n beter bedeling

Sien jy deur smart ook die seëning?

Proe jy die melk en die heuning?

En hoor jy die magtige dreuning?

The next rhyme?

Is coming out on Father’sday 19 June…

Title: Môre, Pa (Morning, Dad)

Here is the one for Mother’s Day too: Perlemoer (Mother of Pearl)

Working on a rhyme for Youth Day 16 June

I am not posting a rhyme this week. We are working on a three part rhyme in five sections for Youth Day on 16 June.

The plan is to release the video of Part I next week Sunday 5 June, then Part II on Sunday 12 June and the full rhyme on Thursday 16 June.

We also plan to release them with an original music track that plays with the three songs referenced in the rhyme:

Die Lied van Jong Suid AFrika

Boesmanland vat my hand en

Ek soek na my Dina.

Hier is a sneak peak of Part I, Section 1:

En hoor jy die magtige dreuning? ’n Triptiek in vyf dele

(rympies deur Petro Janse van Vuuren en Monica Bosman)

(vir Jeugdag, 16 Junie)

I – Petro

Deel 1 

Vat my hand

Dan lei ek jou na die land

            van melk en heuning

            kelke vol sening

            geld sonder lening

            vir elk se ondersteuning

Hoor jy die magtige dreuning

die kragtige kreuning

die smagting na heling?

Oor die veld kom dit wyd gesweef

Die lied van ’n nuwe ontwaking

Wat harte laat breek en herleef

Ontmoet my Antie Depressant

Lookong at the green and cream-coloured capsule in my hand, I wondered what an anti-depressant would be like if she was an Auntie Depressant…? (Thanks, Welma, for the idea)

Ek kyk na die groen-en-roomkleurige kapsule in my hand en ek wonder hoe ‘n antidepressant sou wees as sy my Antie Depressant was … ? (Dankie vir die idee, Welma)

Image of the text with doodles for "Ontmoet my Antie Depressant" - Meet my Auntie Depressant

(Thanks, Welma, for the idea)

The full text in Afrikaans:

Ontmoet my Antie Depressant

Sy dra ’n groen rok waarteen haar boesem beur

En die sykouse wat oor haar kuite span is roomkleur.

Op bingo wings fladder sy tot my hulp.

Sy omvou my, sterk soos ’n skulp,

Haar wang sag soos die blaar van ’n tulp.

Met ’n ferm hand onder my elmboog

Hou sy my omhoog

En met ’n geoefende oogKyk sy sommer my trane droog.

———————————————————————–

English translation:

Meet my Auntie Depressant

Her bosom strains against her green dress

Over her calves the cream-coloured stockings must stretch

On bingo wings she flutters to rescue me

Strong like an oyster she enfolds me

Soft tulip cheeks caress me

With a firm hand under my elbow 

she upholds me

And with a practiced eye

She just looks my tears dry.

Where I am going with this blog from here.

Since the beginning of this year I had been recovering from burn-out from the work and personal overwhelm of 2020-2021. In the depths of my despair I began to make rhymes. They are my antidepressants and I share them here. They are also a form of advocacy and resistance.

The plan is to post one every weekend – but as soon as this becomes too much like work, I will stop.

I want them to offer joy, giggles, sniffles and reflection.

Thanks to my sister Monica Bosman who is my soundboard and my language editor Find her here.

To my Husband Gerhi who does the doodles. Find him at www.gerhi.com 

And my son who edits and posts my videos.

Yep, it is a family affair…

Oor die rand van uitgebrand

“These challenging times” nearly got me down, but rhymes like this one picked me up again.

The image of the rhyme in Afrikaans "oor die rand van uitgebrand" with doodles by Gerhi Janse van vuuren

The full text in Afrikaans:

Oor die rand van uitgebrand

Ek spartel rond

In my eie wond

En terwyl ek in infeksie swem

Wonder ek waarvoor is ek dan bestem?

Veraf hoor ek ’n hond blaf

En vaagweg wonder ek wanneer hulle maskers gaan afskaf …?

Maar, ag, dis sommer laf – 

Wie sal laat los wat soveel mag verskaf?

Só sak ek dieper in die donker af en af

Tot net duskant die graf …

Skielik gly daar ’n rympie by my verby.

Sal ek hom betyds raakgevat kry?

Ek volg hom op en op 

Tot my kop

Bo die oppervlak uitpop!

Rympies word my antidepressant

Vat my aan die hand 

En lei my terug oor die rand van uitgebrand.

Where I am going with this blog from here.

Since the beginning of this year I had been recovering from burn-out from the work and personal overwhelm of 2020-2021. In the depths of my despair I began to make rhymes. They are my antidepressants and I share them here. They are also a form of advocacy and resistance.

The plan is to post one every weekend – but as soon as this becomes too much like work, I will stop.

I want them to offer joy, giggles, sniffles and reflection.

Thanks to my sister Monica Bosman who is my soundboard and my language editor Find her here.

To my Husband Gerhi who does the doodles. Find him at www.gerhi.com 

And my son who edits and posts my videos.

Yip, it is a family affair…

Perlemoer

(vir my ma op moedersdag – vir elke ander ma én vir ons Universele Ma)

‘n Rympie deur Petro Janse van Vuuren

An image of a poem I wrote for my mom on mother's Day . Title: Perlemoer- "Mother of Pearl"
Vir Moedersdag

Three weeks ago I visited my mom for a week in Stellenbosch. I am recovering from burn-out and this visit finally made me feel that recovery might actually be possible…

It is meant for my mom, yes, but also for every other mom and for our Universal Mother.

And it is written in my Mother-tongue. As are most of my rhymes.

Here is the full text in Afrikaans:

Perlemoer

(vir my ma)

Sewe dae in Ma se Spa, 

En ek kan weer vir die lewe sê, Ja!

Ma het my kos uit die tuin gevoer;

My gelos om te slaap, lánk na die duiwe begin koer;

Buite by my gesit as ek dóér

             oor die berge kyk, waar dit met wyn en asyn boer,

             my kaal voete in die herfsbedekte grasvloer;

My met versies en kersies aangepoer;

My lomerig-luuks in die osoonborrelbad laat sloer;

Oor my tone geloer,

             terwyl Ma se vingers doelgerig oor my voetsole toer;

Ure met my gesprekke gevoer

             om die gekrampte gedagtes en gevoelens los te woer

             en weer die hoop in my wakker te roer. 

Ek, afgebrokkel van die kosmos,

’n Fyngemaalde stukkie rots,

Wat kon land in die stil, donker kalmte

             van ’n moeder se omhelsende warmte,

om my weer aanmekaar te snoer.

            ’n Week, ’n leeftyd, in die hart van my Perlemoer.

Where I am going with this blog from here.

Since the beginning of this year I had been recovering from burn-out from the work and personal overwhelm of 2020-2021. In the depths of my despair I began to make rhymes. They are my antidepressants and I share them here. They are also a form of advocacy and resistance.

The plan is to post one every weekend – but as soon as this becomes too much like work, I will stop.

I want them to offer joy, giggles, sniffles and reflection.

Thanks to my sister Monica Bosman who is my soundboard and my language editor Find her here.

To my husband Gerhi who does the doodles. Find him at www.gerhi.com

And my son who edits and posts my videos.

What to do when your country is hurting?

(The Blog’s dedication story)

In 1994 South Africans were going through the first general election and hope was soaring…

… and I learned how deep and wide our wounds really are and how difficult the road to recovery. It is also the year I found the source of one of the most powerful healing agents: stories.

In January of that year, I was a third year at Stellenbosch University. I was the only woman in a class with 23 guys, I was the only person with low vision (6/60) in a world of people with 20/20 vision and I was the only white student in the black and coloured residence, Goldfields.

You see, since 1992 white residences had been opening their doors to ‘deserving’ and ‘academically promising’ black and coloured students, and the slow integration began. But the traffic was going only one way and I did not think this would work as way for us to heal our rifts. Sure, it was important for the privileges of the white community to be shared with everyone, but what of the value and riches of the black and coloured communities that would be left behind? Should these be disregarded? How could we build a nation, if everyone wanted the same things instead of sharing what everyone had, not just what the white minority had – and I don’t mean material wealth only. We need to understand each other and learn to appreciate each other and until this point, the appreciation was only going one way. That did not seem fair, nor workable as a means to democracy.

So, I applied for Goldfields.

Goldfields was unique in more ways than just being the res designated to black and coloured students. It was also built differently, situated differently and organised differently. It was built not as a multi storied hostel-like structure in the centre of town, but as self-contained, double story units with sic students on each floor sharing a small kitchen and seating area. Twelve or so units were built around a grassy yard where the boys would come to play sports and the girls could watch from their windows or cheer from the fringes of the field. It was set slightly out of the centre of town, but close enough to my faculty building so that I could walk it in 15 minutes. As an ‘older’ student, I thought it idyllic.

My first year roommate, hated it.

She wanted to be with her friends in the middle of student life in the middle of town in the white residences.

She also hated it because instead of us being served 3 meals a day like at the white res’s we were only served supper and had to provide breakfast and lunch for ourselves. This meant we had to share the fridge between six of us and food was never safe in it. The little money she had for food was often wasted when her food went off in our room, or got stolen from the fridge.

She hated it because varsity was tough for her. She came from a very rural setting in the Northern Cape and the adjustment to the ‘cityness’ of Stellenbosch and the whiteness of its entire system was hard for her to adjust to.

She also hated it because she got stuck with the only white student in the res, well-meaning, but clueless and a third year. It was the most unequal match ever. I was a local girl from Stellenbosch, having grown up there. My mom was 5 kilometres away, not 500. I knew the town, I knew the University, I was confident and, truth be told, arrogant in my great adventure as the white student in black res. She just wanted to survive varsity and now she had to deal with me.

I did everything wrong.

I thought that living with people different from me would change me and help me understand. On some level it did (I don’t flinch and become paranoid if I find myself surrounded by black and coloured people at e.g. a taxi rank – something few of my fellow white South Africans can pull off.  (Just writing this is embarrassing and a terrible indictment – I am sorry we are so fearful, it is unfounded).

But

All I learned was to persist in my privileged white ways in spite of my surroundings.

So, the food gets stolen. I bring in a little fridge from home (thank God I managed to share it with her) and food is safe. When I visit my mom on the weekend and come back to find that she shared my bed too, with friends of her who found place in the white res, I am unable to just share and accept. I make a scene about people sharing my sheets and now I had to wash them (not because the girls were coloured, but because I wanted clean sheets when I get back from home). Of course I don’t communicate this well at all and the only message she gets is “don’t sleep in my bed, it gets dirty. She also wears my clothes without asking and I cringe. I understand that sharing is the way people get to have more than what they would have if they only used what they themselves owne, but I want to be asked. And I do not understand the difference between people sharing food, (or taking it) and sharing clothes, or taking it. Sharing food is not okay,, but sharing clothes is – between whom?

She brings back ‘huisbrood’ (home made bread from the Nammakwaland) when she comes back from vacation she offers me a piece. I know this bread is valuable to her, it is her umbilical chord. She desperately wants my approval and watches me eat it. It tastes of animal fat and it is dry. I don’t like it, but instead of lying, thanking her for her generosity, I tell her that I don’t like it and with that, I see her face fall. She wants me to approve and like her, but I reject her like every other white in the cosy apartheid system.

And yet,

When she tells me about her home and her school, the awkwardness is gone. I laugh at the antics of her and her friends. I am shocked at the lecherous behaviour of a fat school teacher and how they find ways to deal with it resiliently. I could share my own story of such behaviour, but it only happened a couple of weeks earlier, so I don’t. We laugh like any two people discovering that they are both human.

I remember this moment of story-telling as the only time that the shit of my privilege and her uncertain struggles fall away.

I wish I can tell you there were hours of these moments. I remember only one.

I wish I knew then how to create more such moments.

I wish I was not the agent of her pain, but in many ways I was, bringing the hegemony and sustemic injustice into her room unable and possibly unwilling, to see its insidious, parasitic invasion of all that was dear to her. It would have been easier for her to have a coloured friend staying with her. It would have been less painful if there were no white invader in her world when she needed comfort and companion ship.

Dearest roommate, I dedicate this blog to you.

To everything you taught me unwillingly and unwittingly, especially to the story moments we shared.

Dear Reader, may we share more of these and heal our hurts.

How I will know if a story you send me fits?

Quite frankly: if the story moves me, I will post it.

Especially if it also

  1. Challenges stereotypes,
  2. Builds connection between people, factions, groups   or between ideas
  3. Leaves me more hopeful than before reading it and
  4. Is well told.

I may also post a story from time to time that moves me to raging frustration or stone cold indifference, just to keep it interesting.

Send me your story here.

Storytelling for Leaders

Through the ages from ancient myths to modern fantasy, Bible stories to Grimm fairy tales, story tellers from the earliest times until now has harnessed the power of story to move others and to convey meaning that otherwise seem abstract and complex.

Now discover the secrets of story for yourself and learn to use it to draw people together and to show them your take on the world.  Employ it to impact them on a core values level and create conditions for shift to happen.

Neuro-scientific research now substantiates the kind of experiential learning made possible when using stories as an effective model with a good ROI.

The Playing Mantis Story Strategies for Leaders course teach you to

  • Employ stories as tools for inspiring followership and support for your ideas.
  • Create ‘aha-experiences’ that instigate authentic action in your team or your clients.
  • Package large amounts of information, complicated material and abstract ideas succinctly and clearly.
  • Use story as strategy to understand how people adapt to new information or behaviour.
  • Discover and hone your own personal story telling style and voice
  • Frame your personal experiences as stories with impact.
  • Use voice and gesture to communicate subtleties and deep meaning.

You will learn about the:

  • Seven elements of the well told story.
  • Six principles of impactful delivery.
  • Five kinds of resistance that stories help overcome.
  • Four tensions that engage the audience and draw them into the story
  • Three levels of character that ensure audience identification

What participants say:

Your unique way with stories and characters opened a fresh perspective on my own character and story. I was moved by the way in which the stories brought the participants straight to the heart of their search for meaning.-Dr Jeanette de Klerk, Office for Moral Leadership, University of Stellenbosch

I have learnt the building blocks to structure a presentation from presenting a problem to providing the solution. I also know how to involve the audience and to avoid common pitfalls of starting a presentation.-Richard Kunz – Lecturer at the University of Kwazulu Natal

Thank you so much for a wonderful session. Everyone I talked to enjoyed the workshop and found value in it. One of them wrote in an email:

“The session with Petro and the notes she gave were very valuable to me. They represent part of my own personal wish list. I am inspired by her simple steps and spent the time on the plane reflecting on what she said and how I could use the steps effectively in current projects. I also want to use them to write stories for my grandchildren. I am truly inspired.”

Thank you for your passion, creativity and authenticity. We enjoyed you. – Alinda Nortje, Executive Charperson, Free to Grow

Course details

The Playing Mantis Story Strategies for Leaders consists of 6 half-day workshops that you can select from or combine in what-ever way that suits your time and budget constraints. Between sessions participants get the chance to try out their skills in the workplace and develop their craft over time so that they become competent and well-rehearsed story tellers.

We suggest that you begin with sessions 1 and 2 as a starting point and only add other sessions if it works for you. You can add a storytelling event as a goal to work towards if you wish.

In each of the 6 sessions you will

  • Gain a theoretical understanding of story principles
  • Watch and analyse a youtube clip of corporate storytelling examples.
  • Learn practical story telling techniques
  • Tell and assess a story of your own
  • Assess and learn from the stories of other participants

The six modules

Module Theoretical principle Practical technique
1 Seven elements of the welltold story How to shape a story
2 Six principles of impactful delivery Using your voice and body
3 Five types of resistance Audience interaction
4 Four tensions that drive action Pause and pace
5 Three levels of character Using the stage
6 Story sharing event Integrating your skills

The Threshold Guardian

About this story

I created this story for my own company, Playing Mantis Coaching and Facilitation Development. The brief to myself was to write a story that could introduce the theme of threshold guardians for coaches and facilitators. The workshop was aimed at helping them externalise and deal with obstacles in the way of their professional development.

The Threshold Guardian

As I near the door, he looks up, greets me with enthusiasm and that dazzling smile of his. Do I detect a hint of naked mockery in the glint in his eye? Is it just an odd reflection in those glasses that he wears with such distinction? He faces me with his immaculate suit always perfectly tailored, not a spec of dust on it and his equally immaculate hair cut. In his hands he holds a smart device with the most popular project management app flashing its notifications and announcing the latest updates.

“Ready to try again I see Miss Kirsten – after all these years he still does not recognise either my marriage or my degree. “Dr. Janse van Vuuren” I correct him, but he just smiles at me knowingly. They don’t count in his book. For him the only thing that counts are the details of the task: any task.

A written text: are all the typos removed, all the references correct and all the formatting consistent? A household task: Does everything look like it did before I engaged with it – the counters like new, the floor squeaky clean, everything sparkling and germ free? Everything in their place – even things that have no place. An organisational task: Are all stakeholders on board, up to date, informed, happy and ready to say ‘yes’? Are the schedules worked out, up to date and are they being adapted and kept so as things develop? Administrative task: have all the papers been filed, all the names listed and dates filled in, all the contact details completed, all the events responded to all the emails sent? A marketing task: has it been spell checked, visually designed, linkedinned, facebooked, tweeted and all comments retweeted, liked and otherwise acknowledged?

I drop my head, but not before I notice the curve of his perfect mouth.

“Is your blog up to date? Every entry SEO’ed and keyword maximised? Are the children happy, well behaved, socially active, physically active, up to speed academically, socially, physically and health wise? No coughs, no runny noses, no tooth decay, no rashes, no tantrums,no crying, no talking back? Do they know that they are loved? Is the husband happy, working hard, helping in the house, getting enough love, being listened to enough? Are you sleeping enough? exercising enough, meditating enough? Eating properly? Spending enough time with family and friends? Getting to church often enough? Visiting your ageing parents often enough? Contacting far away friends and family enough? Are your finances healthy? debts being paid, bills being settled, savings growing, taxes up to date, budget balancing? Do you look professional? Hair suit your face shape? Clothes suit your skin colour and body-type? Toe nails and finger nails looked after? Make up neat? Clothes ironed and clean and fashionable?”

“Well, it’s just…“ I see his strong jaw line suggesting confidence.

“Are you still authentic, being yourself and able to shrug off the little rejections of live? Are you able to compete just with yourself and nobody else? Do you know you are good enough? Do you know that you are cared for and loved? Do you have faith? Do you believe that there is good in everyone? Do you love your neighbour as yourself and do unto others what you would them do unto you? Do you laugh enough? Are you happy? Well… ARE YOU?”

I lower my eyes and catch his masculine scent, he smells of determination.

“No? Sorry honey, next time then. And he turns his attention to the device in his hand with a shake of the head. You do not have the right kind of energy to enter here. Your karma does not align with what is needed here. You do not have the right intention, the right attitude, the right background, the right beliefs. You do not have the instinct for surviving here, or the talent for making the right decisions here.”

“No, but…” I sense the slender taught muscles of a lean body under the perfect tailored suit, ready for action.

He looks up: “Yes, I know that everyone on this side of the gate cannot tick all these boxes either, but they never tried to enter from the same place as you are trying to. They came through a different door, a door not available to you because there is no route from where you are to any of the other doors. You are where you are and you cannot get through this door from there unless you tick these boxes. You cannot tick the boxes, so you cannot come through. It was not meant for you.”

The suit, the hair, the mouth, the jaw, the scent, the body stands there smiling, not turning away.

And so I must tear myself from him in recognition of my defeat —  again — another failure to my record. Hoping I could find a different door but I never do. Always I return to this door draw to it by that smile, that  suit, that  hair, the mouth, the jaw, his scent, his body, my failure.

 

*           *           *

 

But not today. Today I do not turn to leave. Today I stand quite still. What if the door of my yearning could be turned into the door for his escape?  What if I do not accept his tick boxes as criteria for my success? What if there was, in fact only one criterion, one measurement – how long I can remain in his presence without squirming, without taking action of any kind…?

I stand fast and smile with a mocking glint in my own eye, or is it just the reflection of those glasses that he wears with such distinction? My eyes travel from his hair cut to his eyes and from this angle there seems to be no glint. I continue the slow appraisal, appreciating the dazzling smile of that perfectly curved mouth. Slowly I trace with my gaze the line of the jaw and I purposefully withhold my touch. He does not talk, but with confidence and precision he takes a step closer.

I catch the scent of his breath and the fragrance of him. I delight in it, but I do not move, my breathing slowing down. I feel the warmth of that body so ready for action, for conquest and still I stand letting my eyes travel back up to meet his and I hold them.  He breaks eye contact first and leans in closer his mouth brushing my temple ever so slightly as he whispers: “You do not comply.”  “Oh? According to whose measurement? As far as I am concerned I am succeeding with flying colours.” I say clearly, though perhaps somewhat breathlessly.

“Your boxes need ticking.”

My words come out measured and decisively one after the other. “I have but one box to tick, sir, and you don’t get to do it.”

We stand like that for another moment or so and then he drops his head to rest his forehead on my shoulder. He swallows hard and he seems to find it hard to tear himself away.

“You win” he says and turns his body aside to let me pass.

As I do so I notice that his collar is skew, his tie is loose and his shirt is becoming untucked. Sweat is running from his brow and his hair looks disheveled. His smart device is dead without any power. He was in a fight it seems.

How long have I stood my ground?

Long enough.

Tick.